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Griffith Media presents · a case study

$9 million. Sixteen grants. One story, told city by city.

When the T.D. Jakes Foundation and Wells Fargo awarded their first $9 million in community grants, someone had to show the country what the money actually does. Griffith Media spent the first half of 2024 on the road doing exactly that: 15 recipient films, seven cities, one cohesive voice.

Cold open: moments from the tour
New York, the Jackie Robinson Museum.
Atlanta, community day on the historic Westside.
South LA: inside SoLa's I CAN center.

A billion-dollar partnership needed its stories told like they mattered.

In 2023, the T.D. Jakes Group and Wells Fargo announced a ten-year collaboration aimed at directing up to $1 billion toward underserved communities. The first act: $9 million in grants to 16 organizations, HBCUs, housing nonprofits, museums, entrepreneurship centers, spread across the country.

Checks that size deserve more than a press release. The Foundation needed every recipient’s story told on the ground, in their own voice, and it needed all of them to feel like chapters of one program, not fifteen disconnected videos. That’s the job Griffith Media was handed.

The T.D. Jakes Foundation and Wells Fargo co-branded title card that opens each recipient film
Every film opens under both marks: one program, one look.

Seven cities. One traveling crew.

Most stories we flew to, one or two operators carrying a full mobile kit: cinema cameras, audio, and lighting, so every interview looked lit and intentional, not grabbed. Some films wove in b-roll the recipients provided; where travel didn’t make sense, we directed local crews remotely, all of it cut inside the same storytelling system. The audience can’t tell which was which. That was the point.

Los Angeles
Dallas
Tulsa
Atlanta
Augusta
Washington, D.C.
New York
Los Angeles
SoLa I CAN Foundation
Dallas
The Dallas Entrepreneur Center
Paul Quinn College
Wiley University (Marshall, TX)
Tulsa
Greenwood Rising
Greenwood Cultural Center
Atlanta
Westside Future Fund
Operation Hope
Augusta
Community Foundation of the CSRA
Washington, D.C.
SFEPD
HomeFree-USA
New York
Jackie Robinson Foundation

Fifteen films that feel like one series.

Cohesion doesn’t happen in the edit. It happens before the first flight. Every film ran the same play: the recipient’s leaders on camera in their own space, the work shown where it happens, and one branded graphics package carrying both marks, the mission language, and the numbers.

Different city every time, different cinematographer on many of them, and you cannot tell. The system is the style.

One story structure

Leader interviews, the work on the ground, and the grant's 'what happens next', every chapter reads the same way.

One graphics system

Co-branded open, lower thirds, and mission cards: designed once, versioned fifteen times.

Every film, both formats

A 16:9 master and a 9:16 social cut for each story: 30 finished pieces delivered.

Frames from the films
A Jackie Robinson Brooklyn Dodgers exhibit portrait inside the Jackie Robinson Museum, with the T.D. Jakes Foundation and Wells Fargo marks in the corner
Aerial of the Augusta, Georgia riverfront
Wiley University students in purple on the corner of James Farmer street
A shopper in the produce aisle of the Laney Walker neighborhood grocery
A financial education workshop in session
An interview inside the Greenwood Rising history center in Tulsa

Approved, shot, delivered, some in the same week.

15 films in half a yearA weekly release rhythm through the first half of 2024: the schedule was the product.
Same-week turnaroundsOnce a story was approved, several went from wheels-down to delivered inside the week; others ran a longer approval runway without slowing the rest.
30 finished cutsEvery story delivered as a 16:9 master and a 9:16 vertical: ready for broadcast, web, and social the day it cleared.
A sponsor who stayedThe partnership announced its second $9 million round the following year, and the Foundation has kept Griffith Media producing ever since.

“Their agility and quality will meet and often exceeds expectations. I never have to think about what I’m going to get. Working with Griffith Media allows me to continue growing the vision.”

Jamel Ware · Executive Producer/Director, The Potter’s House of Dallas | T.D. Jakes Ministries, who oversaw the grant film series

The program’s own account: the $9 million, 16-organization announcement.

A Griffith Media production

Produced end to end for the T.D. Jakes Foundation · Filmed across the United States, 2024

Your program, next

A story in every city. One voice across all of them.

If your organization funds work across the country, we’ll build the storytelling system and put the crew on the plane, and every chapter will sound like you.