A steady drumbeat
of content — without
the scramble.
For teams whose content need is weekly but whose production capacity is zero. If your channels go quiet between big projects, this is the fix.
Build my content programGriffith Media plans, produces, and edits recurring video content — social video, testimonial libraries, recruiting stories, education series, and podcast content — on a monthly cadence for organizations across Dallas–Fort Worth and beyond.
Built for teams that need content every week,
not just when there’s a launch
- An internal marketer with the strategy, but not the production capacity to keep up with it
- A founder or executive who needs to show up consistently, not just when there’s news
- A college, nonprofit, ministry, or service business with stories worth telling all year long
- A brand whose channels go quiet the moment the big campaign wraps
- A podcast or interview series that needs reliable capture and post, month after month
“The team at Griffith Media is amazing. They are attentive and truly care about helping businesses grow. They have went above and beyond in every aspect.”
Brandon Gerfen — CEO, Stratum Ridge Wealth Partners
Plan quarterly.
Shoot in batches.
Publish monthly.
The program runs on a cadence, not on heroics: quarterly planning, scheduled shoot days, a monthly delivery calendar of edited assets, and a review that makes the next cycle better.
Build my content programQuarterly content planning
Themes, formats, and channels planned a quarter at a time — so nothing is invented the week it's due.
Scheduled shoot days
Batch production: planned shoot days that capture weeks of content in hours, not weeks of scrambling.
Monthly delivery calendar
Edited, platform-native assets land on a calendar your team can see and publish against.
Performance review & iteration
We look at what worked, adjust the plan, and the next quarter gets sharper.
Approvals without the email chain
A monthly calendar only works if sign-off keeps pace, so we built our own approval tool. Every deliverable goes out on one link your team can open from a phone, with no login to hunt for. Approvers pick from prewritten title and description options or write their own, request a revision right where they are watching, and sign off in a tap. Every approval, view, and revision is logged, and nothing stalls waiting on a reply that never came.
Everything a channel
needs to stay alive
Less than one hire. The output of a small team.
Programs are scoped around monthly capacity — production days per month and post-production volume. Most programs cost less than one full-time content hire and deliver the output of a small team. For the full department model, see the Fractional Creative Team.
Questions, answered
That's the point of batching: a planned shoot day with pre-scripted segments routinely yields a month of platform-native assets — talking-head pieces, short-form cuts, testimonials, and b-roll. The exact count depends on your formats, and we plan it before anyone touches a camera.
We build and maintain it; you approve it. Quarterly planning sets the themes, the monthly delivery calendar keeps everything visible, and the performance review closes the loop so the plan improves every cycle.
Even better. Most programs plug into an internal marketer who owns strategy and channels — we become the production arm that gives them a dependable pipeline of finished assets instead of another project to manage.
Yes — programs flex. Shoot days and post capacity scale up for a launch, campaign, or event quarter and settle back down afterward. That's handled inside the quarterly plan, not with a new contract.
Build my
content program.
Tell us your channels, your audience, and your capacity — we’ll come back with a program scope and a monthly calendar to react to.